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As the denizens of a Tibetan village prepare for their arduous annual trek to exchange salt for grain, the community’s allegiances are split between aging chieftain Tinle (Thilen Lhondup) and rebellious young Karma (Gurgon Kyap). Tinle tries to maintain his clout and preserve obedience to ancient customs when Karma challenges the old man’s power.
Set in the 22nd century, when a battered salvage ship sends out a distress signal, the seasoned crew of the rescue hospital ship Nova-17 responds. What they find is a black hole–that threatens to destroy both ships–and a mysterious survivor whose body quickly mutates into a monstrous and deadly form.
The cameras of Jacques Perrin fly with migratory birds: geese, storks, cranes. The film begins with spring in North America and the migration to the Arctic; the flight is a community event for each species. Once in the Arctic, it’s family time: courtship, nests, eggs, fledglings, and first flight. Chicks must soon fly south. Bad weather, hunters, and pollution take their toll. Then, the cameras go
Waltz with Bashir
Much awarded animated documentary, in which director and Israeli army veteran Ari Folman interviews friends and former soldiers about their memories of the 1982 Lebanon war and especially the Sabra and Shatila massacre in Beirut. The usage on animation enabled Folman to illustrate their personal memories and dreams.
Coco Chanel & Igor Stravinsky
Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky’s The Rite of Spring is about to be performed. The revolutionary dissonances of Igor’s work parallel Coco’s radical ideas. She wants to democratize women’s fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.
The Turin Horse
In 1889 German philosopher Friedrich Nietzsche witnessed the whipping of a horse while traveling in Turin, Italy. He tossed his arms around the horse’s neck to protect it then collapsed to the ground. In less than one month, Nietzsche would be diagnosed with a serious mental illness that would make him bed-ridden and speechless for the next eleven years until his death. But whatever did happen to the horse? This film, which is Tarr’s last, follows up this question in a fictionalized story of what occurred. The man who whipped the horse is a rural farmer who makes his living taking on carting jobs into the city with his horse-drawn cart. The horse is old and in very poor health, but does its best to obey its master’s commands. The farmer and his daughter must come to the understanding that it will be unable to go on sustaining their livelihoods. The dying of the horse is the foundation of this tragic tale.
In the year 1215, the rebel barons of England have forced their despised King John to put his royal seal on the Magna Carta, a seminal document that upheld the rights of free men. Yet within months of pledging himself to the great charter, the King reneged on his word and assembled a mercenary army on the south coast of England with the intention of bringing the barons and the country back under his tyrannical rule. Barring his way stood the mighty Rochester castle, a place that would become the symbol of the rebel’s momentous struggle for justice and freedom.
In 2016 the sun has turned the entire world into a scorched and barren wasteland. The humans who have survived are either resourceful or violent, and sometimes both. Marie, her little sister Leonie, and best friend Phillip, are in a car headed to the mountains – rumor has it there is water there. Along the way they meet Tom, a first-rate mechanic. But can they trust him? Fraught with deep distrust, the group is lured into an ambush where their real battle for survival begins.
Young and full of life, Murielle (Emilie Dequenne, Rosetta) has a promising future ahead of her when she meets and falls head over heels for Mounir (Tahar Rahim, A Prophet). A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father (Niels Arestrup, A Prophet, Sarah’s Key). As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.
A group of women are kidnapped by guerrillas and brought to a jungle brothel where they are forced to work as prostitutes for the soldiers. Those who refuse to cooperate are decapitated by the cruel, sadistic wardress of the camp, who is privately interested in some of the women herself.
More Than Honey
With dazzling nature photography, Academy Award®–nominated director Markus Imhoof (The Boat is Full) takes a global examination of endangered honeybees — spanning California, Switzerland, China and Australia — more ambitious than any previous work on the topic.
Night Train to Lisbon
Raimund Gregorius, having saved a beautiful Portuguese woman from leaping to her death, stumbles upon a mesmerizing book by a Portuguese author, which compels him to suddenly abandon the boring life he has led for years and to embark on an enthralling adventure. In search of the author, Gregorius acts as detective, pulling together pieces of a puzzle that involves political and emotional intrigue and the highest possible stakes. His voyage is one that transcends time and space, delving into the realms of history, medicine and love, all in search of true meaning to his life.
Love Is the Perfect Crime
Marc, in his 40s, is a professor of literature at the University of Lausanne. Still a bachelor — and still living with his sister Marianne in a huge, isolated chalet that they inherited when they were very young — he carries on one love affair after another with his students. Winter has almost ended when one of his most brilliant students, Barbara, suddenly disappears. Two days later, Marc meets Barbara’s mother, Anna, who wants to find out more about her vanished daughter.